We’re excited to share with you the wonderful photographs New York photographer, dancer, DJ, and podcast host Ryan Swift took of the Mint Julep Jazz Band performing at Lincoln Center’s Midsummer Night Swing! He was limited to the press area and public areas in terms of where he could take photographs and we think he did an amazing job, even with these limitations. Here are a few of our favorites below and you can see the entire set on his Flickr page.
The Duck Jazz Festival is one of the best experiences we have had as a band – this community cares about jazz and puts on a thoughtful and perfectly executed event that draws jazz fans and music lovers from the outer banks of North Carolina and beyond. Thanks so much to the Town of Duck for creating such a fantastic music festival and inviting us to be a part of it!
Thanks to Alexandrea Lassiter of Dtownperspective for taking almost all of these photos and documenting our trip!
With our new album out and not a lot of information that we’re able to fit on one side of a CD sleeve, we get questions about Battle Axe logistics, so here are some behind the scenes tidbits about the conception and creation of Battle Axe, accompanied by fantastic photos from our Sunday recording session taken by our documentarian in residence, Alexandrea Thomsen (aka dtownperspective).
Conceptually, it is difficult to come up with a direction for a second album – we wanted to deliver a solid album of dance music, take some creative liberties, showcase a range of tempos, and keep everything fun. With the idea that there are many jazz albums whose cover art verges on lackluster or isn’t eye-catching, we wanted to do something cool. And when I say cool, I probably mean nerdy. Would I buy this album and/or be intrigued by the title/cover art?
One of our local Triangle area dancers, Skyler Hinkel, is an avid video gamer and metal fan – death metal, pirate metal, folk metal, everything. He suggested that Mint Julep Jazz Band be a battle swing band and forge a new genre of swing music where all of our songs had something to do with battles. While the execution of a battle swing band would have been out of our reach in time for an album, the idea stuck and we decided, based on the Jimmie Lunceford tune in our book by the same name, to call the album Battle Axe and include some other conflict-oriented tunes.
With this concept in mind and prior to recording, we announced the title of the album on our Facebook wall, which garnered a great response, including one from Ryan Lemar, a swing dancer and instructor in Richmond, VA, who suggested that all of our albums should be named after weapons and rattled off a list, including a trebuchet. Our tenor player, Keenan McKenzie, who is also a whiz on the soprano sax, took this idea and ran with it, writing an original tune called “Trebuchet” that is very much in the vein of something Sidney Bechet might have scribbled down – très Bechet, even!
Keenan also wrote the original tune “The Dwindling Light by the Sea” and arranged “Say It Isn’t So,” “You Can’t Live in Harlem,” and Mussogsky’s “Night on Bald Mountain” (which he initially put together for a Halloween gig in 2014). The remainder of the tunes on the album were arranged by co-bandleader and trombonist Lucian Cobb.
Going back to that cool cover art idea, once we had the Battle Axe concept, vocalist Laura Windley approached graphic designer and electronic music artist Judson Cowan (aka Tettix) about fleshing out a concept for the cover art. Judson attended East Carolina University with half of the band, and went on to do graphic design work, like designing a blimp for Conan O’Brien and print ads for the Atlanta Braves, electronic music recordings as the artist Tettix, and soundtracks for video games like Rogue Legacy. Judson was perfect for the job because of his knowledge of the nerdy, the cool, the funny, and the music. We think that his instru-weapons are the perfect visual compliment to the pun of our album title.
When we met with our recording engineer, Jason Richmond, who recorded and mastered our first album, he made two suggestions that affected the quality of the sound on the recordings and distinguished it from our first album: 1) that we record at Mitch Easter‘s studio, The Fidelitorium, in Kernersville because he thought the studio would be complimentary to our sound as an acoustic band and 2) that we record to analog tape, which would give our recordings that warmer tone of older recordings. At one of his jobs, Jason happened upon a closet full of unused analog tape that a university was going to throw away and gave to him, so he was excited to work with it in the recording studio and we are very pleased with the results.
We recorded Battle Axe over a weekend in April at the Fidelitorium and Alexandrea Thomsen, who did our wonderful Kickstarter video and happens to be our guitar player Ben Lassiter’s wife, came out for the Sunday recording session to take photographs. At this point we had recorded most of the tracks for the album and we were doing re-takes on some songs we thought we could do better. The Fidelitorium was a great studio for us, tucked away behind the owner’s home and a “guest house,” which was essentially a little ranch house where the bands stay when they record there. The studio had an open lounge, dining, and kitchen area separate from the recording area and having that space to decompress and take breaks was great. The common area was also full of great artwork, oddities, knick-knacks, and interesting books. Here are some photos of the recording session for Battle Axe – enjoy!
Sweet Life Studios‘ Frank Myers was kind enough to snap some great shots of the band at our show on May 22, 2013 at Koka Booth Amphitheater in Cary – even better, he took them in black and white on a vintage polaroid camera! The results are very cool – check them out at Sweet Life Studios’ Facebook album.
Tune in to Sesame Street on April 18, 2013 to hear an original Mint Julep Jazz Band song in one of the non-muppet segments! We are excited to have an air date and to finally be able to make this announcement, which we’ve been keeping quiet about since September, when Lucian composed and we recorded the song.
How did this happen? It’s all about networking (or being in the right place at the right time?) – we performed at a local wedding in August and one of the guests thought we’d be perfect for a project he was doing for Sesame Street. After a few phone calls and emails we had about a week and a half to put everything together, from Lucian composing the tune, getting everyone in the same place to record it, culling enough equipment together to have a quality recording, to lots of little logistical hurdles that occur when you are contracting out your services. Needless to say, everyone in the band was really excited to be involved in something that was going to appear on Sesame Street, and, with that motivation, we pulled it off in a very short amount of time.
If you can’t tune in to the show, there may be a way to watch it online after the air date – stay tuned!
I’ve included a couple of photos from the recording session below.