This past weekend the Mint Julep Jazz Band premiered three new music videos as part of the California Balboa Classic’s virtual event, CalBal Live! The event reached out to 5 bands/bandleaders to create brand new recordings for the event, compiled remotely due to the COVID-19 pandemic, including Michael Gamble and the Rhythm Serenaders, Gordon Au’s Grand Street Stompers, the Jen Hodge All-Stars, Keenan McKenzie and the Riffers, and the Mint Julep Jazz Band. We hope you enjoy these new-to-us tunes, here’s the scoop on each song, the sponsors, and the musicians for each recording:

COWBELL SERENADE

If you say CalBal three times fast it might come out sounding like cowbell at the end – hence this tune is a pun on the event’s nickname. We’d been looking for pitched cowbells for years, online an at music stores, and it took a pandemic Zoom cocktail hangout for the topic of almglocken to come out. Thanks to Jonathan Stout for the suggestion, we think they worked out great! Here’s our rendition of Johnny Blowers’ Cowbell Serenade, sponsored by Gary Chyi.

Lucian Cobb – trombone, Matt Fattal – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Chip Newton – guitar, Jason Foureman – bass, Kobie Watkins – drums, Laura Windley – glockenspiel

I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER

This is an original arrangement of I’m Gonna Sit Right Down and Write Myself a Letter, written by Lucian Cobb, with vocals inspired by the Boswell Sisters. Thanks so much to Kevin Wang, Lian Tarhay, Ursula Hicks, Kevin Nguyen, Matt Mitchell, and Jennifer Reed, all swing dancers in Austin and Dallas, Texas, who joined forces to sponsor this song for CalBal Live.

Laura Windley – vocals, Lucian Cobb – trombone, Paul Rogers – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Ben Lassiter – guitar, Peter Kimosh – bass, Aaron Tucker – drums

RAGGIN’ THE SCALE

When we started talking to the CalBal Live organizers it became clear that they were excited about everything the bandleaders proposed and were up for funding big band charts. While the Mint Julep Jazz Band isn’t a big band, Lucian really wanted to do a big band song because it would be fun to put together. He had already transcribed Raggin’ the Scale (from an Ella Fitzgerald and her Famous Orchestra live recording from the Savoy Ballroom) for Michael Gamble and the Rhythm Serenaders Orchestra and Michael gave his blessing for us to record Lucian’s transcription, so here we are! Thanks so much to Pasadena Balboa and Jam for sponsoring Raggin’ the Scale, this song is an absolute blast.

Trumpet – Renee McGee, Jay Meachum, and Jim Ketch; Trombone – Lucian Cobb and Evan Ringel; Alto Saxophone – Brian Miller and Aaron Hill; Tenor Saxophone – Keenan McKenzie and Annalise Stalls; Drums – Dan Faust; Bass – William Ledbetter; Guitar – Ben Lassiter; Piano – Clark Stern; Glockenspiel – Laura Windley

23659509_10103419847799641_1131617545580786145_nIf you love Keenan McKenzie’s original tunes and arrangements on the Mint Julep Jazz Band albums, you can now get even more of this great music in your life – Keenan is releasing a brand new album of original swing music written by the maestro himself called Forged in Rhythm, available now for preview and pre-order on Bandcamp and full release coming December 5!

Here’s Keenan’s post about the album release:

“If you’d asked me a few years ago, I wouldn’t have imagined my first album would be 15 radio-length songs, all in 4/4 time. I now owe so much to the dance community that it’s hard to imagine it going any other way. Swing music has provided some unforgettable experiences and introduced me to a world of wonderful people, including Allison Meeks (you make my heart go thump thump thump!)

I’m thrilled to announce the upcoming release of FORGED IN RHYTHM. This album of original tunes is a celebration of my favorite ‘30s/‘40s musicians and a love letter to the swing dance scene. I got to work with some phenomenal players and great friends, and we had a blast making this record. I can’t wait for you to hear it!

Keenan McKenzie……………reeds
Gordon Au…………………..trumpet
Lucian Cobb……………..trombone
Jonathan Stout……………….guitar
Chris Dawson………………….piano
Seth Ford-Young………………bass
Josh Collazo………………….drums
Laura Windley………………..vocals
Miles Senzaki……………..engineer

Artwork and design by Ryan Calloway Art

Available December 5th on Bandcamp, CD Baby, iTunes, Amazon and more!”

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Photograph by Brad Nathanson Photography

a2618128978_16Swing bandleader Glenn Crytzer wanted to do something to make a difference, so he had this idea of a compilation album of modern day swing and traditional jazz bands coming together to contribute music to benefit the American Civil Liberties Union.  After reaching out to 16 bands (including the Mint Julep Jazz Band!), fundraising, organizing the production of this album, and getting the blessing of the ACLU, the album is ready for purchase!  Pick up a copy of That New Old Sound on Bandcamp, either digital or physical, and if you order by December 17, he’ll ship it to you in time for Christmas – an extra $2.00 and he’ll even gift wrap it for you.  All the proceeds from the sale of this album go to the ACLU to support the defense and preservation of civil liberties

Who’s on this album?  Lots of swing and early jazz goodness from all over the United States, including, of course, Glenn Crytzer (New York), Tuba Skinny (New Orleans), Greg Ruby and the Rhythm Runners (Seattle), Dandy Wellington and his Band (New York), the Boilermaker Jazz Band (Pittsburgh), Jonathan Stout and his Campus Five (Los Angeles), Dan Levinson and his Canary Cottage Dance Orchestra (New York), Gordon Webster (New York), Mint Julep Jazz Band (Durham, NC), Mona’s Hot Four (New York), Solomon Douglas (Seattle/New York/a boat somewhere off the coast of Australia), the Grand Street Stompers (New York), Jonathan Doyle Swingtet (Austin/Chicago), Meschiya Lake and the Little Big Horns (New Orleans), George Gee Swing Orchestra (New York), and Baby Soda (New York).

We are excited to be a part of this compilation album, a great gift idea for any jazz lover or to give someone as a sampler of what’s going on with early jazz today, and to do a small part to contribute to the greater good.