The UK-based music and ear-training website Music U interviewed our reed man Keenan McKenzie about his musical origins, his work in the swing dance community, and his new album of original swing music, Forged in Rhythm – check it out and learn a bit more about the man behind the tenor saxophone in the Mint Julep Jazz Band…
If you love Keenan McKenzie’s original tunes and arrangements on the Mint Julep Jazz Band albums, you can now get even more of this great music in your life – Keenan is releasing a brand new album of original swing music written by the maestro himself called Forged in Rhythm, available now for preview and pre-order on Bandcamp and full release coming December 5!
Here’s Keenan’s post about the album release:
“If you’d asked me a few years ago, I wouldn’t have imagined my first album would be 15 radio-length songs, all in 4/4 time. I now owe so much to the dance community that it’s hard to imagine it going any other way. Swing music has provided some unforgettable experiences and introduced me to a world of wonderful people, including Allison Meeks (you make my heart go thump thump thump!)
I’m thrilled to announce the upcoming release of FORGED IN RHYTHM. This album of original tunes is a celebration of my favorite ‘30s/‘40s musicians and a love letter to the swing dance scene. I got to work with some phenomenal players and great friends, and we had a blast making this record. I can’t wait for you to hear it!
Artwork and design by Ryan Calloway Art
Available December 5th on Bandcamp, CD Baby, iTunes, Amazon and more!”
Durhamites, be sure to pick up a copy of the April, 2016 issue of Durham Magazine for a feature on the Mint Julep Jazz Band! Durham Magazine writer Sophia Lucente interviewed Laura Windley, Lucian Cobb, and Keenan McKenzie to put together this snapshot of the band’s history and life in Durham. You can read the article (as well as the entire issue) online here or read just the article in an online-friendly format here.
With our new album out and not a lot of information that we’re able to fit on one side of a CD sleeve, we get questions about Battle Axe logistics, so here are some behind the scenes tidbits about the conception and creation of Battle Axe, accompanied by fantastic photos from our Sunday recording session taken by our documentarian in residence, Alexandrea Thomsen (aka dtownperspective).
Conceptually, it is difficult to come up with a direction for a second album – we wanted to deliver a solid album of dance music, take some creative liberties, showcase a range of tempos, and keep everything fun. With the idea that there are many jazz albums whose cover art verges on lackluster or isn’t eye-catching, we wanted to do something cool. And when I say cool, I probably mean nerdy. Would I buy this album and/or be intrigued by the title/cover art?
One of our local Triangle area dancers, Skyler Hinkel, is an avid video gamer and metal fan – death metal, pirate metal, folk metal, everything. He suggested that Mint Julep Jazz Band be a battle swing band and forge a new genre of swing music where all of our songs had something to do with battles. While the execution of a battle swing band would have been out of our reach in time for an album, the idea stuck and we decided, based on the Jimmie Lunceford tune in our book by the same name, to call the album Battle Axe and include some other conflict-oriented tunes.
With this concept in mind and prior to recording, we announced the title of the album on our Facebook wall, which garnered a great response, including one from Ryan Lemar, a swing dancer and instructor in Richmond, VA, who suggested that all of our albums should be named after weapons and rattled off a list, including a trebuchet. Our tenor player, Keenan McKenzie, who is also a whiz on the soprano sax, took this idea and ran with it, writing an original tune called “Trebuchet” that is very much in the vein of something Sidney Bechet might have scribbled down – très Bechet, even!
Keenan also wrote the original tune “The Dwindling Light by the Sea” and arranged “Say It Isn’t So,” “You Can’t Live in Harlem,” and Mussogsky’s “Night on Bald Mountain” (which he initially put together for a Halloween gig in 2014). The remainder of the tunes on the album were arranged by co-bandleader and trombonist Lucian Cobb.
Going back to that cool cover art idea, once we had the Battle Axe concept, vocalist Laura Windley approached graphic designer and electronic music artist Judson Cowan (aka Tettix) about fleshing out a concept for the cover art. Judson attended East Carolina University with half of the band, and went on to do graphic design work, like designing a blimp for Conan O’Brien and print ads for the Atlanta Braves, electronic music recordings as the artist Tettix, and soundtracks for video games like Rogue Legacy. Judson was perfect for the job because of his knowledge of the nerdy, the cool, the funny, and the music. We think that his instru-weapons are the perfect visual compliment to the pun of our album title.
When we met with our recording engineer, Jason Richmond, who recorded and mastered our first album, he made two suggestions that affected the quality of the sound on the recordings and distinguished it from our first album: 1) that we record at Mitch Easter‘s studio, The Fidelitorium, in Kernersville because he thought the studio would be complimentary to our sound as an acoustic band and 2) that we record to analog tape, which would give our recordings that warmer tone of older recordings. At one of his jobs, Jason happened upon a closet full of unused analog tape that a university was going to throw away and gave to him, so he was excited to work with it in the recording studio and we are very pleased with the results.
We recorded Battle Axe over a weekend in April at the Fidelitorium and Alexandrea Thomsen, who did our wonderful Kickstarter video and happens to be our guitar player Ben Lassiter’s wife, came out for the Sunday recording session to take photographs. At this point we had recorded most of the tracks for the album and we were doing re-takes on some songs we thought we could do better. The Fidelitorium was a great studio for us, tucked away behind the owner’s home and a “guest house,” which was essentially a little ranch house where the bands stay when they record there. The studio had an open lounge, dining, and kitchen area separate from the recording area and having that space to decompress and take breaks was great. The common area was also full of great artwork, oddities, knick-knacks, and interesting books. Here are some photos of the recording session for Battle Axe – enjoy!
What started out as a Mint Julep Quintet gig at G2B Gastro Pub on November 7, 2014 ended up a full-fledged Mint Julep Jazz Band for the second set – our regular tenor player Keenan McKenzie joined us from the audience and trumpet player Jason Bohde stopped by to sit in. Thanks to Keenan’s dad, Woody McKenzie, who filmed us and to Jack Mitchell for editing and uploading to YouTube! Check out “Egyptian Ella” and “Some of These Days” below: