West coast friends and beyond, please join us Labor Day weekend 2018 at Camp Hollywood in Los Angeles for our west coast debut! We’ll be performing at the Friday evening dance (August 31) at Camp Hollywood at the LAX Marriott from 9:00 p.m. to midnight and the theme for the night is a tribute to the classic Hollywood film Cabaret, so come in your 1920’s/cabaret/chorus girl/emcee/Bob Fosse finest. Camp Hollywood is one of the largest and longest-running swing dance camps/competition weekends in the United States and it’s an honor for us to be invited to perform! For more information and to register, visit the Camp Hollywood website.
On June 10, 2017 we’ll perform for our fourth year in a row at All Balboa Weekend! It is always an honor to be invited to perform at this long-running Balboa event that is home to what is essentially the world championships of Balboa. Our friends Michael Gamble and the Rhythm Serenaders are performing on Friday night and we’ll be the Saturday night band. We’ve also got a special surprise for you with guest vocalist Nick Williams, so don’t miss a moment of the live music at ABW!
We don’t see a lot of arts grant money going to social dance events, so it’s rare and wonderful that organizers of the Nashville Dance Congress have been the beneficiaries of a grant allowing them to provide a weekend of FREE dance classes from renowned instructors and social dances to live and DJ’ed music! Featured dance genres are Salsa, Bachata, Ballroom Cabaret, West Coast Swing, Kizomba, Tango, Zouk, Lindy Hop, Balboa, and more! We’re excited to be invited to be a part of this inaugural event as the swing band – we’ll be performing three sets over the weekend, Friday and Saturday nights from 11:00 p.m. to 1:30 a.m., and a Saturday afternoon set from 2:15 p.m. to 3:15 p.m.
If you are staying at the Millennium Maxwell House Hotel, this event is free! For more information or if you are not staying at the hotel, visit the Nashville Dance Congress website.
Swing bandleader Glenn Crytzer wanted to do something to make a difference, so he had this idea of a compilation album of modern day swing and traditional jazz bands coming together to contribute music to benefit the American Civil Liberties Union. After reaching out to 16 bands (including the Mint Julep Jazz Band!), fundraising, organizing the production of this album, and getting the blessing of the ACLU, the album is ready for purchase! Pick up a copy of That New Old Sound on Bandcamp, either digital or physical, and if you order by December 17, he’ll ship it to you in time for Christmas – an extra $2.00 and he’ll even gift wrap it for you. All the proceeds from the sale of this album go to the ACLU to support the defense and preservation of civil liberties
We are excited to be a part of this compilation album, a great gift idea for any jazz lover or to give someone as a sampler of what’s going on with early jazz today, and to do a small part to contribute to the greater good.
On January 30, 2016, we return to the Lone Star State capital to perform at Hot Rhythm Holiday, a weekend of workshops and dances focusing on Balboa and Collegiate Shag and there’s a music track for people who want to learn more about performing jazz! The events take place at the Texas Federation of Women’s Clubs (“the Fed”), a mansion built in 1931 with a gorgeous historic ballroom. We are excited to return to Hot Rhythm Holiday for our second year! And bring on the brisket!
The Duck Jazz Festival is one of the best experiences we have had as a band – this community cares about jazz and puts on a thoughtful and perfectly executed event that draws jazz fans and music lovers from the outer banks of North Carolina and beyond. Thanks so much to the Town of Duck for creating such a fantastic music festival and inviting us to be a part of it!
Thanks to Alexandrea Lassiter of Dtownperspective for taking almost all of these photos and documenting our trip!
We love traveling around our home state of North Carolina to perform at cool and unique venues, so we are delighted to be included in the roster for this year’s Duck Jazz Festival on the outer banks of North Carolina! The Duck Jazz Festival, now in its 9th year, presents a free day-long festival of regional, national, and international jazz artists with two stages on the Duck Town Green.
If you love traditional jazz and swing, I would recommend following Michael’s blog – it is comprehensive, updated regularly, and features wonderful artists, both new and old. Michael’s dedication to the research, review, and enjoyment of this music and the artists definitely shows in his writing.
With our new album out and not a lot of information that we’re able to fit on one side of a CD sleeve, we get questions about Battle Axe logistics, so here are some behind the scenes tidbits about the conception and creation of Battle Axe, accompanied by fantastic photos from our Sunday recording session taken by our documentarian in residence, Alexandrea Thomsen (aka dtownperspective).
Conceptually, it is difficult to come up with a direction for a second album – we wanted to deliver a solid album of dance music, take some creative liberties, showcase a range of tempos, and keep everything fun. With the idea that there are many jazz albums whose cover art verges on lackluster or isn’t eye-catching, we wanted to do something cool. And when I say cool, I probably mean nerdy. Would I buy this album and/or be intrigued by the title/cover art?
One of our local Triangle area dancers, Skyler Hinkel, is an avid video gamer and metal fan – death metal, pirate metal, folk metal, everything. He suggested that Mint Julep Jazz Band be a battle swing band and forge a new genre of swing music where all of our songs had something to do with battles. While the execution of a battle swing band would have been out of our reach in time for an album, the idea stuck and we decided, based on the Jimmie Lunceford tune in our book by the same name, to call the album Battle Axe and include some other conflict-oriented tunes.
With this concept in mind and prior to recording, we announced the title of the album on our Facebook wall, which garnered a great response, including one from Ryan Lemar, a swing dancer and instructor in Richmond, VA, who suggested that all of our albums should be named after weapons and rattled off a list, including a trebuchet. Our tenor player, Keenan McKenzie, who is also a whiz on the soprano sax, took this idea and ran with it, writing an original tune called “Trebuchet” that is very much in the vein of something Sidney Bechet might have scribbled down – très Bechet, even!
Keenan also wrote the original tune “The Dwindling Light by the Sea” and arranged “Say It Isn’t So,” “You Can’t Live in Harlem,” and Mussogsky’s “Night on Bald Mountain” (which he initially put together for a Halloween gig in 2014). The remainder of the tunes on the album were arranged by co-bandleader and trombonist Lucian Cobb.
Going back to that cool cover art idea, once we had the Battle Axe concept, vocalist Laura Windley approached graphic designer and electronic music artist Judson Cowan (aka Tettix) about fleshing out a concept for the cover art. Judson attended East Carolina University with half of the band, and went on to do graphic design work, like designing a blimp for Conan O’Brien and print ads for the Atlanta Braves, electronic music recordings as the artist Tettix, and soundtracks for video games like Rogue Legacy. Judson was perfect for the job because of his knowledge of the nerdy, the cool, the funny, and the music. We think that his instru-weapons are the perfect visual compliment to the pun of our album title.
When we met with our recording engineer, Jason Richmond, who recorded and mastered our first album, he made two suggestions that affected the quality of the sound on the recordings and distinguished it from our first album: 1) that we record at Mitch Easter‘s studio, The Fidelitorium, in Kernersville because he thought the studio would be complimentary to our sound as an acoustic band and 2) that we record to analog tape, which would give our recordings that warmer tone of older recordings. At one of his jobs, Jason happened upon a closet full of unused analog tape that a university was going to throw away and gave to him, so he was excited to work with it in the recording studio and we are very pleased with the results.
We recorded Battle Axe over a weekend in April at the Fidelitorium and Alexandrea Thomsen, who did our wonderful Kickstarter video and happens to be our guitar player Ben Lassiter’s wife, came out for the Sunday recording session to take photographs. At this point we had recorded most of the tracks for the album and we were doing re-takes on some songs we thought we could do better. The Fidelitorium was a great studio for us, tucked away behind the owner’s home and a “guest house,” which was essentially a little ranch house where the bands stay when they record there. The studio had an open lounge, dining, and kitchen area separate from the recording area and having that space to decompress and take breaks was great. The common area was also full of great artwork, oddities, knick-knacks, and interesting books. Here are some photos of the recording session for Battle Axe – enjoy!