With our new album out and not a lot of information that we’re able to fit on one side of a CD sleeve, we get questions about Battle Axe logistics, so here are some behind the scenes tidbits about the conception and creation of Battle Axe, accompanied by fantastic photos from our Sunday recording session taken by our documentarian in residence, Alexandrea Thomsen (aka dtownperspective).
Conceptually, it is difficult to come up with a direction for a second album – we wanted to deliver a solid album of dance music, take some creative liberties, showcase a range of tempos, and keep everything fun. With the idea that there are many jazz albums whose cover art verges on lackluster or isn’t eye-catching, we wanted to do something cool. And when I say cool, I probably mean nerdy. Would I buy this album and/or be intrigued by the title/cover art?
One of our local Triangle area dancers, Skyler Hinkel, is an avid video gamer and metal fan – death metal, pirate metal, folk metal, everything. He suggested that Mint Julep Jazz Band be a battle swing band and forge a new genre of swing music where all of our songs had something to do with battles. While the execution of a battle swing band would have been out of our reach in time for an album, the idea stuck and we decided, based on the Jimmie Lunceford tune in our book by the same name, to call the album Battle Axe and include some other conflict-oriented tunes.
With this concept in mind and prior to recording, we announced the title of the album on our Facebook wall, which garnered a great response, including one from Ryan Lemar, a swing dancer and instructor in Richmond, VA, who suggested that all of our albums should be named after weapons and rattled off a list, including a trebuchet. Our tenor player, Keenan McKenzie, who is also a whiz on the soprano sax, took this idea and ran with it, writing an original tune called “Trebuchet” that is very much in the vein of something Sidney Bechet might have scribbled down – très Bechet, even!
Keenan also wrote the original tune “The Dwindling Light by the Sea” and arranged “Say It Isn’t So,” “You Can’t Live in Harlem,” and Mussogsky’s “Night on Bald Mountain” (which he initially put together for a Halloween gig in 2014). The remainder of the tunes on the album were arranged by co-bandleader and trombonist Lucian Cobb.
Going back to that cool cover art idea, once we had the Battle Axe concept, vocalist Laura Windley approached graphic designer and electronic music artist Judson Cowan (aka Tettix) about fleshing out a concept for the cover art. Judson attended East Carolina University with half of the band, and went on to do graphic design work, like designing a blimp for Conan O’Brien and print ads for the Atlanta Braves, electronic music recordings as the artist Tettix, and soundtracks for video games like Rogue Legacy. Judson was perfect for the job because of his knowledge of the nerdy, the cool, the funny, and the music. We think that his instru-weapons are the perfect visual compliment to the pun of our album title.
When we met with our recording engineer, Jason Richmond, who recorded and mastered our first album, he made two suggestions that affected the quality of the sound on the recordings and distinguished it from our first album: 1) that we record at Mitch Easter‘s studio, The Fidelitorium, in Kernersville because he thought the studio would be complimentary to our sound as an acoustic band and 2) that we record to analog tape, which would give our recordings that warmer tone of older recordings. At one of his jobs, Jason happened upon a closet full of unused analog tape that a university was going to throw away and gave to him, so he was excited to work with it in the recording studio and we are very pleased with the results.
We recorded Battle Axe over a weekend in April at the Fidelitorium and Alexandrea Thomsen, who did our wonderful Kickstarter video and happens to be our guitar player Ben Lassiter’s wife, came out for the Sunday recording session to take photographs. At this point we had recorded most of the tracks for the album and we were doing re-takes on some songs we thought we could do better. The Fidelitorium was a great studio for us, tucked away behind the owner’s home and a “guest house,” which was essentially a little ranch house where the bands stay when they record there. The studio had an open lounge, dining, and kitchen area separate from the recording area and having that space to decompress and take breaks was great. The common area was also full of great artwork, oddities, knick-knacks, and interesting books. Here are some photos of the recording session for Battle Axe – enjoy!
Several events have requested promotional photos, so we decided to put together a photo shoot. This proved to be a more difficult task than we imagined, coordinating schedules with 8 band members, a photographer, and various venues as possible backdrops. When all else failed, we decided to meet after a rehearsal at a public building. When we got to the location we realized it was locked, but we made the best of the situation by doing the shoot outside, in the dark, doing our best to stay warm in the freezing January weather. Special thanks to Richard and Katherine Springs of A Captured Image for braving the cold with us to take these photos!
Check out the frozen fruits of our labor, which are also available on the “Photos” page of this website. From left to right in the photo below: Peter Lamb (tenor saxophone), Jared Wofford (guitar/banjo), Aaron Tucker (drums), Aaron Hill (alto saxophone/clarinet), Jason Foureman (bass), Al Strong (trumpet), Lucian Cobb (trombone), and Laura Windley (vocals).
The Mint Julep Jazz Band is excited to be included in the lineup for The Art of Cool Project‘s concert series at LabourLove Gallery in Durham, North Carolina. We’ll be their featured band for the May 18, 2012 concert, but until then there are a lot of things going on with this jazz advocacy non-profit that may interest you.
What is The Art of Cool Project? From their website: “The Art of Cool Project is a jazz (also music with jazz roots) and art advocacy project that strives to cross artistic, economic, and cultural boundaries to bring together a diverse mix of people and creativity. We are dedicated to promoting the local vibrant, varied, and surprisingly under-appreciated music and art scene. The project is a unique collaboration between the music and art communities to bring both creative mediums to supporters in an intimate concert setting.”
The Art of Cool Project is a creative philanthropic project spearheaded by Mint Julep Jazz Band trumpeter, Albert Strong IV, and Cicely Mitchell, Al’s amazing girlfriend, social media guru, and jazz advocacy superwoman.
A recent addition to The Art of Cool Project’s website is a jazz calendar for the Triangle, which will include all forms of jazz and displays a running calendar that you can check to see what is happening this week, next month, and beyond. The Mint Julep Jazz Band will be submitting our public concerts to this list and we would encourage other Triangle area jazz groups to utilize this resource.
What can you do to support this worthwhile non-profit? A few things:
2) Donate to the Holiday Chair Campaign – thus far, the AOC Project has had to rent 80 chairs for each of their concerts. To keep costs down, they are running a Holiday Chair Campaign to raise money to buy chairs for the concert series. A donation of $40 will fund one the chairs and get your name (or name of a loved one or business) painted on the back of the chair as well as preferred seating for the concerts with RSVP.
4) Check the jazz calendar regularly and support the Art of Cool Project’s concert series (every third Friday of the month at LabourLove Gallery) and other local jazz artists.
5) Come to LabourLove Gallery on May 18 to hear the Mint Julep Jazz Band!